A story about a forbidden love and the controversial mix of human races, “The Bitter Tea of General Yen” was an extravagant and authentic film, far ahead of its time. Director Frank Capra assumed a difficult script, based on an original novel about an American missionary who falls in love with a Chinese General during the war. The film benefits from the superlative performances of the legendary Barbara Stanwyck (a fine actress even in her youth) and Nils Asther (Swedish actor who accepted to play the role of a Chinese using heavy make-up). The chemistry of Stanwyck and Asther is palpable, even if Asther was the ideal partner of Greta Garbo, with whom he made two silent films. In fact, he was considered the male version of Garbo. Alas, many of his American films are forgettable, but it’s certainly not the case of “General Yen”.
I was very much impressed by this unusual film, with a surreal, exotic atmosphere, sets and costumes. It is quite accurate in portraying the Chinese Civil War and if it had been strictly related to this kind of story, it would have been a good historical film. But the characters are superior even to the story itself. The romance that blossoms between the young American woman and the handsome, rich and powerful Chinese General keeps your attention from the beginning to the end. The end is somehow predictable – and it is not a happy one – but it is delivered as a solution to the heroine’s troubles, thus escaping from both the real and the sentimental imprisonment…
Here is my video tribute to this wonderful piece of the old Hollywood, a gem that was not well received on its original release and that was, unfortunately, forgotten for quite some time, owing to its controversial political and social messages.
One of the best performances of Barbara Stanwyck and certainly one of the greatest pre-code productions, with a still important significance, “Baby Face” tells the story of a beautiful, but poor girl who changes radically her destiny, as she moves from a modest bar to the luxurious metropolitan world. In her attempt to get a better job step by step, she seduces each of her bosses, reaching the top – an old bank manager, who gets killed by one of one of Lily’s former lovers, the latter killing himself in the same room right after the murder. Lily is the kind of beautiful, but cold-blooded woman (some sort of “femme fatale” in film noir). She has no regrets about the killing of two people who were attracted to her and who even loved her very much. The pursuit for wealth is the only thing that matters to her, and she can take all the risks, if necessary. But in the end she discovers that the true love for a man is the one that really counts and she is no longer interested in expensive clothes and jewels. Barbara Stanwyck is exceptional throughout the entire film. Her co-star, George Brent, was good, too, in the role of the last lover. I highly recommend you to watch this extraordinary film, even more because of its modern message: pretty, young girls who make a compromise in order to become rich and powerful, even if, in the end, they are the ones who lose everything – decency, respect, love, and sometimes even their own life.
“The Bitter Tea of General Yen” must be, in my opinion, one of the greatest films of the early 30s. I was very much impressed by the performance of Nils Asther, a Danish actor who is very little known today and who had a remarkable career in the silent era. He appeared in several movies with such fine actresses like Greta Garbo, Joan Crawford, Fay Wray, and Loretta Young. In “The Bitter Tea of General Yen”, his co-star was another great actress, Barbara Stanwyck, though I have to admit that Nils Asther is the one who simply steals the scene. I can’t think of anyone else better than him in the role of General Yen. This outstanding film reminds me of one of my favourites, “The Journey”, with Yul Brynner and Deborah Kerr. The story is quite similar. An officer or general, in this case, who falls desperately in love with a woman that he could never have completely, and in the end he loses everything because of this relationship. Both movies were made after homonymous novels. “The Bitter Tea of General Yen” is a book published by Grace Zaring Stone. She also wrote another great novel turned into a film, “Escape”, with Norma Shearer, Robert Taylor, and Conrad Veidt. The persona of the General in both movies is fascinating, but, of course, Nils Asther’s Chinese General is different from Conrad Veidt’s Nazi General. Still, they have the same powerful presence, which electrifies the audiences, and the same strong will in their performances. The same happens with Yul Brynner’s Major Surov in “The Journey”. If “The Bitter Tea of General Yen” had been remade, Yul Brynner would have been the perfect choice for the leading role. As for Barbara Stanwyck, she is good, but not memorable in the role of a Christian missionary who finds herself trapped in Shanghai during the Chinese Civil War from the late 20s. A better choice would have been, to me, Loretta Young, Fay Wray or Joan Crawford. I was surprised to read that “The Bitter Tea of General Yen” was a failure at the box-office, especially because of the relationship between a Chinaman and an American woman. This idea was rejected at its time by the audiences and by the film critics, but nowadays, this film is considered a superior production of the old Hollywood, and I perfectly agree with this. I liked very much this motion picture of the Columbia Studios, directed by the famous Frank Capra (best known for his screwball comedies), and I also liked the idea of turning the love scenes between the General and the American missionary into a dream. The ending is sad, just like in “The Journey”, but very significant. I recommend you to watch “The Bitter Tea of General Yen”. You will certainly like it very much.
I recommend this week the definitive film noir in Hollywood history: “Double Indemnity”. Starring Barbara Stanwyck, Fred MacMurray and Edward G. Robinson, this motion picture presents the story of two lovers who plan to kill the heroine’s husband for his health insurance. It was directed by Billy Wilder, who is one of the most appreciated filmmakers in Hollywood, and it earned seven nominations at the Academy Awards, for Best Picture, Best Actress, Best Director, Best Writing, Screenplany, Best Cinematography, Best Sound, and Best Music. “Double Indemnity” has all the typical aspects of the film noir genre: somber, dark mood, damp streets, a fascinating use of lights and shadows, a mysterious crime, a hard-boiled hero, and, of course, a femme fatale, played by Barbara Stanwyck. As a matter of fact, Phyllis, the character she played, is considered the definitive femme fatale in classic film noir history. She is the one who uses her sex-appeal to seduce and determine the hero – an insurance representative (MacMurray) to help her make the crime plan work to perfection. But their shameless and sinful behaviour is punished by the end of the film, as both of them lose control of their own destiny and kill or hurt each other. Death is the symbolical punishment used in most of the films noirs, as a result of the characters’ inner problems (frustration, hate, obsession, vengefulness, destruction, and even sadism) and needs (security, money, power and freedom, most of the times). The characters are tortured by their own self and by the suffocative city, which encompases a closed world, a trap without escape. I highly recommend you to watch “Double Indemnity”, as it is one of the most famous classic films in history, and, what is more, you will never get bored, because films noirs could never be boring, owing to their complex plots and fascinating characters.